Īuto-Tune is still widely used, as are other pitch-correction algorithms including Celemony's Direct Note Access which allows adjustment of individual notes in a polyphonic audio signal, and Celemony's Melodyne. This replaced slow studio techniques with a real-time process that could also be used in live performance. Pitch correction was relatively uncommon before 1997, when Antares Audio Technology's Auto-Tune Pitch Correcting Plug-In was introduced. Prior to the development of electronic pitch correction devices, there was no way to make " real time" corrections to a live vocal performance in a concert (although lip-syncing was used in some cases where a performer was not able to sing adequately in live performances). By the late 70s, engineers were fixing parts using the Eventide Harmonizer H49. Prior to the invention of pitch correction, errors in vocal intonation in recordings could only be corrected by re-recording the entire song (in the early era of recording) or, after the development of multitrack recording, by overdubbing the incorrect vocal pitches by re-recording those specific notes or sections.
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